For the most part I test out cameras, clean them and then list them on Etsy so they can find new homes. Sometimes I love my tested cameras so much that I add an extra roll inside of them and see if I can take more amazing shots. Then I wind up selling the camera and I have half a roll still inside that I need to shoot. That’s what happened with this particular roll. I had a customer that really needed the camera ASAP, so I shot the rest of the roll inside my apartment.
In all honestly I also have a new Lomography Diana Mini and a Diana-F+, which I learned to use first and then I dabbled in using this older baby. The design has essentially stayed the same and you can find solace in it’s simplicity. The camera is purely plastic and does feel very toy like in your hands. Everything is manual and the plastic viewfinder does not do you any favors. You can line up some picture perfect moments and then miss them because you forgot to take off your lens cap 🙁 But the lo-fi vibe and vignetting on your photos make your pics seem older and richer at the same time.
The Diana-F Camera
The Diana-F and was introduced after the Original Diana as the model that could take a flash. Simple enough I guess the F stands for flash. The Diana was first manufactured in the early 1960’s by a company called the Great Wall Plastic Factory. They would mainly make the camera as novelty items and giveaways for companies. Hence there are many privately labeled and clone versions out there. The Diana-F takes 120 film and should produce 16 4 x 4 cm images. As mentioned before the camera was made of plastic with a black body and dark minty blue top.
Before using this camera I had never used a TLR camera. I do have one of those that are plastic and your put together yourself, but I am lazy and I have not gotten around to building it yet. :/ So there was a bit of a learning curve trying to use this Yashica. I was constantly turning the wrong knob on the side and advancing the film instead of focusing, so my first roll was not used to it’s full potential. I also found the viewfinder pretty dim at times and struggled to see if I was in focus. I was pleasantly surprised when my film scans came back that the camera does take sharp and bright photos.
Since I am an Impossible Member, I sometimes get emails to try out some of their experimental film or film that is still in the early stages before it goes into mass production. I have reviewed some of their other film in the past and you can check two of them out below:
I think both of those films were pretty great and they were a lot of fun to work with. The Impossible Project has made some other experimental films in between which I have regrettably missed out on, so I jumped at the chance to try this new film they are calling Duochrome Black & Red Film. They claim it is a similar formula as their regular black and white film, which is my favorite. I like it because it develops much more quickly than their color film and is much less sensitive to the elements, such as temperature and light.
This is not really a review of the Canon AF35M Camera as it is more of a quick look over since I have already reviewed this camera. This is bascially the same exact camera as the Canon Sure Shot which you can read about in more detail at the below link:
The Canon AF35M is the European version of the this camera and works the same way and shares the same manual. It was also nicknamed the Autoboy in Japan and was Canon Inc.’c first autofocus 35mm compact camera. This post is mainly to show the body of the camera and the photographs that I was able to take with it.
So I really love this little camera. Though I have some resentment towards it because I ran a whole pretend roll through it. On top of that it’s a half frame camera and in my mind I had a 36 exposure roll in it so I took a total of 72 pictures only to open up an empty camera 🙁 I also had some trouble figuring out if the camera was working and I took some pics of my own face once there was film in it…..all in a days work when working with new cameras I guess. Other than that I still think it’s an awesome company camera, plus you get double the amount of exposures than you usually do.
During Christmas I went home to Texas to spend time with my family. I figured since I had some free time in-between holiday festivities and visiting friends and family I could shoot some photos around the house. My dad has had a Pentax K1000 Camera in his desk drawer forever. I decided since the poor little camera hasn’t gotten any action in ages, that I would buy some drugstore film and see what it produced. I was not disappointed. Although it was in that drawer taking up dust a fresh set of battery and film and it still worked like a dream. Well at least according to my dad.
Okay so I am writing this article solely based on my own experiences with the Spectra System Camera. In my opinion I think that it is the best choice if you are in the market for a moderately priced Polaroid. I don’t think that is can compete with Polaroid SLR cameras, but I think it is a close second choice. If you only want to spend about 30 bucks then the Spectra System is the best bang for your buck.
I know I’ve been recommending Lomography’s LomoChrome films on some of my reviews, but had yet to post mush proof that I was using it. Yay so finally here are a few snaps that I took with the film. I have reviewed the LomoChrome Purple by Lomography here, and it produced some great interesting results. This is the LomoChrome Turquoise version of the film that was produced about a year later.
Oh the SX-70 OneStep Polaroid. The one with the rainbow strip down the front to be more specific. It’s iconic and if you are from the younger generation it might seem familiar because the Instagram main icon has taken some inspiration from it. This is the first of the box non-folding SX-70 cameras that were made as a cheaper alternative to the folding SX-70’s. The camera was first manufactured in 1977 and had many iterations until the mid eighties.