A few weeks ago I posted that The Impossible Project came out with some experimental film called Cyanograph. It was a monochromatic all blue film and was made for use with SX-70 model cameras. It was relatively cheaper then their normally priced film so I managed to buy a few packs of it.
Below are some of the results of the film using several different cameras, though I believe the best came from a folding SX-70 SLR. The first few are from non-folding box SX-70 cameras and were mostly taken outside in sunlight.
This first photo was taken with a non-folding SX-70 camera with an electronic flash. I think that the contrast between the sheets and Mark came out really well and it’s one of the best lit photos that I was able to take.
This is a follow up to my The Impossible Project Film in the heat of summer post. Their film is very temperamental and if it’s not developed in the right conditions the colors may be a little off. The main things that affect the development process is temperature and light. I am going to give my insight into developing pictures in cold weather today.
I live in Boston, and to say the least it has been a very long, snowy and cold winter. Taking pictures in this weather is not easy considering I generally walk about town with camera and film in tow making it susceptible to the outside weather. I decided to take out two different cameras out one day during a light snow fall, but it was about 15 degrees F outside. I took with me a more modern 600 series camera with built in flash from the 90’s and a folding SLR SX-70 Sonar OneStep. Both films for the cameras were taken out of the fridge and set out to reach room temperature for about an hour. So after the hour I load the film into the camera and I am out the door.
This past weekend one of my best friends finally graduated from Smith College. I personally graduated from Smith a few years ago so it was a fun experience to go back and relive graduation without it really being a reunion year. We had good time going to Illumination Night and going to the ceremony the next day with Arianna Huffington as the speaker.
I decided to take a nicely re-skinned folding Sonar SX-70 with me and some PX70 Color Protection Film from The Impossible Project. The camera was having some issues with the rollers and the Sonar is out of wack. I did manage to fix the rollers a bit by pressing the apart with my finger so the Polaroids were no longer getting stuck, but I had to use the camera in manual mode the whole time due to the Sonar issue. Nevertheless I was able to take some amazing photos with it. Below is my said camera which I managed to re-skin myself!
Though it is the end of May the temperature was still pretty cool that all of the pictures were able to develop without me having to do anything extra. I just avoided the Polaroids having direct sunlight on them when they were ejected from the camera. Hope you enjoy!
The Color Protection Film is some of the latest and greatest film that The Impossible Project has made. It is amazing that we no longer have to shield the Polaroid from light once it has come out of the camera. Although their film is still in its early development stages and I glad that they have been able to progress so far in this amount of time. As of right now the Color Protection film only comes in color, but it is currently being made for 600, SX-70 and Spectra model cameras. You no longer have to shield it from light and it develops in about 40 minutes.